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Remove Background From Video Without Green Screen

Keep the person, lose the room

Filmed against a wall or in a bedroom? Upload the clip as it is and get the person back on transparency.

Real output

Video background remover

One free frame preview, no sign-in needed 2 credits per second of video No watermark on paid downloads See pricing

Previews are processed at up to 720p. Paid downloads keep the original frame size. Uploads are deleted after 24 hours, finished downloads after 7 days.

Try an example

How to remove background from video without green screen

Upload the clip as it was shot: the model finds the subject on every frame, so there is no colour to key out.

  1. 1Upload your clip

    Click Upload video or drop an MP4, MOV or WebM up to 30 seconds and 100 MB.

  2. 2Choose subject and format

    Pick People or Objects & pets and one of four downloads. The credit cost shows before you start.

  3. 3Download the result

    About 5 minutes for a 30-second clip. You can leave the page while it runs.

Pick the file for where it is going

See it on a moving clip

The original clip and its cut-out play in sync under one divider. Drag it across, then compare the stills below.

Choose an example clip

AI-generated sample clip. The cut-out is real, unedited output from the People model.

Download this example (WebM with alpha)

Still frames

  • The same frame with the room removed, the hair outline kept, over a checkerboard
    Original frame: a woman with long wavy hair in front of a bookshelf

    Person

    Video model output
  • The same frame with the room removed, the dog shown over a checkerboard
    Original frame: a long-haired dog sitting on a patterned rug

    Pet

    Video model output
  • The same frame with the room and the steam removed, the mug and board over a checkerboard
    Original frame: a ceramic mug on a wooden turntable, steam rising from it

    Product

    Video model output

Formats, timing and limits in detail

No backdrop, no keying

A green screen lets an editor delete one colour. Without one, a matting model has to find the subject itself on every frame, so what matters is not the wall behind you but how clearly the subject stands apart from it.

What your footage needs: chroma key or AI matting

Filming guidance, not a benchmark. We have measured one 30-second portrait clip, not each condition below, so run the free 5-second preview on a clip like yours.

Conditions that decide how clean the cut is
ConditionChroma key (green screen)AI matting (this tool)
Backdrop colourOne even colour that the subject is not wearingAny backdrop; contrast with the subject helps
LightingThe backdrop needs even light, or shadows key badlyLight the subject so its edges are visible; the backdrop can be uneven
Subject wears the backdrop colourThose areas are removed as wellNot a problem in itself, but a close colour can blur the edge
Motion blurBlurred edges mix with the backdrop colourBlurred edges are hard to place; steadier movement helps
Whole subject in frameNot requiredHelps: a cropped subject gives the model less to go on
People or objects overlappingFine while they are in front of the backdropThey may be kept or dropped as one shape; separate them in the shot
Moving cameraFine while the backdrop fills every frameFine: each frame is cut from what is in it

What the matte does with hair, fur and steam

Without a backdrop to key, the edge is whatever the model decides it is. On our own demo clips, shot as ordinary footage, it came out like this:

  • Hair and fur outlines are kept, but the finest single strands are softened, and a small gap inside the hair can show the room behind it.
  • A thin part moving fast, such as the tip of a wagging tail, can break into dark jagged streaks for those frames.
  • Steam, smoke and anything else you see through go with the background.
  • A hard shadow under an object can be kept as if it were part of the object.
  • A part that turns out of frame can come back partly cut, and a board or stand under a product can be kept in some frames and dropped in others.

None of these need a green screen to fix: the 5-second preview is free, so check a clip shot the way yours will be.

Will the result keep its transparency in my editor

Yes, it exports a ProRes 4444 MOV with an alpha channel. Here is where each transparent file is documented to open.

Scroll the table sideways to see every column.

Where each download keeps its transparency, from vendor documents
DownloadTransparency in the fileChrome and FirefoxSafariFinal Cut ProDaVinci Resolve 20OBS StudioSize, 30 s of 1080x1920
ProRes 4444 MOVYesNot checkedNot checkedApple ProRes, all versions, listedProRes 4444 MOV listed.mov listed as a media file; alpha not checkedAbout 975 MB
Transparent WebM (VP9)YesPlays with transparencyPlays VP9, without transparencyWebM is not in the import listNo WebM container in the list.webm listed as a media file; alpha not checkedAbout 23 MB

Not checked means we found no vendor document for that cell, not that it fails. Premiere Pro, After Effects and CapCut are left out because we could not check them against Adobe or CapCut documentation.

How long it takes

Wait for the 30-second clip
About 5 minutes
272 s and 300 s in total, one run per subject mode
ProRes 4444 MOV
About 975 MB
About 260 Mbit/s, alpha channel included
Transparent WebM
About 23 MB
VP9 video with an alpha channel
Frame size and frame rate
1080x1920 at 30 fps
Unchanged in every download, duration included

Measured on one 30-second 1080x1920 clip at 30 fps, September 2026. Your own clips will differ.

If you already own an editor with a masking tool

Some desktop editors have their own subject masking. If yours does and the clip is already on the timeline, try it there first; there is nothing to upload. This tool is for when you have no such feature, or want the whole clip done without keyframing a mask.

Either way, if the footage was shot on a green backdrop after all, the green screen video page covers that case.

Frequently asked questions

  • Yes. BiRefNet, the model behind both subject modes, finds the subject in each frame and separates it from whatever is behind it, whether that is a bedroom wall, an office or a street. There is no colour to key out, so no backdrop is needed. What still matters is how clearly the subject stands out; the footage table on this page lists the conditions.